Gallery
The rooms as they are, at the size they were photographed.
The most common complaint about hotels of this kind is that the photographs do not match the room. So these are shown at their true resolution rather than stretched across the page, and the slots still waiting on the shoot are marked as exactly that.
Photographed
Premier room, wide, lamps on, balcony door open 
Deluxe room, 9 p.m. lamp light, bed made 
Guest floor corridor, green marble, window at the end 
Corridor towards reception, framed prints, evening 
Guest room, evening, TV wall lit 
Guest room, king bed, pendant lamps 
Guest room, king bed, grey headboard wall 
Guest room, marble-pattern headboard wall 
Guest room, wood-panelled headboard wall 
Guest room, double bed, brown marble wall 
Twin room, both beds made 
Bathroom, grey stone tiles, mirror lit 
Bathroom, white tiles 
Lift lobby, lower ground floor 
Guest corridor, patterned tile runner 
Guest corridor, room 101 
Guest corridor, evening light
The shot list.
Real rooms, occupied-looking, at real times of day — six in the morning and nine at night. No wide-angle distortion, no brightening. Every slot below is a frame waiting for a photograph, and none of them will be filled with a picture of some other hotel.
Photograph pendingShivalik foothills from the Haldwani side, 6 a.m., haze still on the plains Photograph pendingReception with a person at the desk, natural light, undistorted Photograph pendingDeluxe room, 6 a.m. light through the window, bed slept-in-looking Photograph pendingDeluxe floor plan, 120 sq ft, drawn to scale with the bed in place Photograph pendingPremier room, morning, king bed, full width of the room visible Photograph pendingPremier floor plan, 160 sq ft, drawn to scale, three-guest layout Photograph pendingTwin floor plan, 120 sq ft, drawn to scale with both single beds in place Photograph pendingExecutive floor plan, 180 sq ft, drawn to scale with the king bed in place Photograph pendingBathroom, lights on, honest about size, fittings clean and in focus Photograph pendingMotimahal Restaurant at 8 p.m., tables occupied, warm light Photograph pendingBrass thali, top-down, five signature dishes plated, real table Photograph pendingReception, housekeeping and kitchen staff, named, looking at the camera, no uniformly posed line-up
12 frames outstanding. Each one is declared in the content layer with its brief, its aspect ratio and the alt text a human will write for it, so a photograph drops straight into place.